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Julian Casablancas and Beyond: The Strokes’ Side Projects

While The Strokes have made their mark as a band, their individual members have also ventured into diverse musical territories through side projects. These pursuits showcase their individual talents and passions, often diverging from the signature sound of the band. From Julian Casablancas’ avant-garde experiments to Albert Hammond Jr.’s introspective solo work, these projects add depth to the collective artistry of The Strokes.


Julian Casablancas + The Voidz: Pushing Boundaries

Julian Casablancas took a bold step into uncharted waters with Julian Casablancas + The Voidz, a project that allowed him to explore a darker, more experimental sound. Albums like Tyranny (2014) and Virtue (2018) veer into territories that blend post-punk, electronic, and even metal influences.

Voidz tracks such as “Human Sadness” and “Leave It In My Dreams” are worlds apart from The Strokes’ polished indie rock, revealing Julian’s appetite for complexity and innovation. Through cryptic lyrics, unconventional song structures, and a willingness to challenge listener expectations, The Voidz became a space where Julian could embrace artistic freedom, creating music that feels raw, unpredictable, and profoundly personal.


Albert Hammond Jr.: The Heartfelt Storyteller

Albert Hammond Jr., The Strokes’ rhythm guitarist, took a more melodic approach in his solo career. Beginning with Yours to Keep in 2006, his music features jangly guitars, breezy melodies, and heartfelt lyrics, offering a softer, introspective counterpoint to The Strokes’ grit.

Albums like Momentary Masters (2015) and Francis Trouble (2018) demonstrate his evolution as a songwriter, tackling themes of self-discovery, loss, and personal growth. Standout tracks like “In Transit” and “Set to Attack” reveal Hammond’s ability to channel vulnerability into music, all while retaining the infectious energy that defines his work with The Strokes.

His solo projects provide a glimpse into his unique perspective, proving that he’s not just a guitarist but a storyteller in his own right.


Nick Valensi and CRX: Rock with a Twist

As The Strokes’ lead guitarist, Nick Valensi has always had a knack for crafting unforgettable riffs, and with CRX, he stepped into the role of frontman. CRX’s debut album New Skin (2016) is packed with driving guitar lines, new wave influences, and a healthy dose of 80s rock nostalgia, courtesy of producer Josh Homme of Queens of the Stone Age.

Tracks like “Ways to Fake It” and “Broken Bones” showcase Valensi’s ability to blend catchy hooks with high-energy rock, creating music that’s fun, dynamic, and undeniably his own. CRX represents a chance for Valensi to take center stage, showing fans a different side of his musicality.


Other Ventures: Fabrizio Moretti and Nikolai Fraiture

Drummer Fabrizio Moretti and bassist Nikolai Fraiture have also pursued side projects that reflect their diverse musical tastes. Moretti’s work with Little Joy leans into a sunny, bossa nova-inspired sound, offering a refreshing contrast to The Strokes’ urban edge. Tracks like “Next Time Around” feel like a warm, breezy afternoon in sonic form.

Meanwhile, Fraiture’s project Summer Moon delves into dreamier, synth-driven territory. Their debut album, With You Tonight (2017), combines ethereal melodies and groovy basslines, demonstrating Fraiture’s knack for crafting atmospheric, understated tracks.


A Rich Tapestry of Creativity

The side projects of The Strokes’ members highlight their individuality, showing that their talents extend far beyond the band’s collective sound. Each venture, whether it’s Casablancas’ boundary-pushing experiments, Hammond’s heartfelt ballads, Valensi’s rock revival, or Moretti and Fraiture’s eclectic explorations, adds another layer to the legacy of The Strokes.

These projects not only expand their artistic horizons but also give fans a deeper appreciation of the unique roles each member plays within the band. Together, they prove that while The Strokes are iconic as a group, their creativity knows no bounds when explored individually.

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